orbiting jupiter ending explained


He said he did not deliberately strive for ambiguity, that it was simply an inevitable outcome of making the film non-verbal, though he acknowledged that this ambiguity was an invaluable asset to the film. Life seems to have thrown Joseph Brook under the bus. The image of the Starchild symbolizes this rebirth. James John Griffith, in a footnote in his book Adaptations As Imitations: Films from Novels, wrote "I would wonder, for instance, how several critics, commenting on the match-cut that links humanity's prehistory and future, can identify—without reference to Clarke's novel—the satellite as a nuclear weapon". [40] Patrick Webster suggests the final line relates to how the film should be approached as a whole, noting "The line appends not merely to the discovery of the monolith on the moon, but to our understanding of the film in the light of the ultimate questions it raises about the mystery of the universe. [24], Similarly, in his book, The Making of Kubrick's 2001, author Jerome Agel puts forward the interpretation that Discovery One represents both a body (with vertebrae) and a sperm cell, with Bowman being the "life" in the cell which is passed on. You begin with an artifact left on earth four million years ago by extraterrestrial explorers who observed the behavior of the man-apes of the time and decided to influence their evolutionary progression. Orbiting Jupiter by Gary D. Schmidt 50 Questions Multiple Choice Includes KeyEditable Please see product preview to see a portion of the test. And to a short, introductory narration, missing in the present version". "While perhaps not overtly monstrous, HAL’s true character is hinted at by his physical 'deformity'. Author Vincent LoBrutto, in Stanley Kubrick: A Biography, was inclined to note creative differences leading to a separation of meaning for book and film: The film took on its own life as it was being made, and Clarke became increasingly irrelevant. Keep in mind that Kubrick describes all of the above’s understanding the “simplest level” of the film. When Discovery One, now with Dave alone, arrives at Jupiter’s orbit. At the time of the movie's making, the space race was in full swing, and the use of space and technology for war and destruction was seen as a great challenge of the future.[37]. The book also depicts a crucial utterance by Bowman when he enters the portal via the monolith; his last statement is "Oh my God—it's full of stars!" It Shouldn’t. 83 words 14 Comments . When the surviving astronaut, Bowman, ultimately reaches Jupiter, this artifact sweeps him into a force field or star gate that hurls him on a journey through inner and outer space and finally transports him to another part of the galaxy. The Apollonian side of man is rational, scientific, sober, and self-controlled. [39], The monolith is the subject of the film's final line of dialogue (spoken at the end of the "Jupiter Mission" segment): "Its origin and purpose still a total mystery". The book reveals that these aliens travel the cosmos assisting lesser species to take evolutionary steps. And here’s Kubrick’s explanation of the ending: In a timeless state, his life passes from middle age to senescence to death. Given a planet in a stable orbit, not too hot and not too cold, and given a few billion years of chance chemical reactions created by the interaction of a sun's energy on the planet's chemicals, it's fairly certain that life in one form or another will eventually emerge. Jupiter is the largest planet of the solar system and hence as … Although the film leaves it mysterious, early script drafts made clear that HAL's breakdown is triggered by authorities on Earth who order him to withhold information from the astronauts about the purpose of the mission (this is also explained in the film's sequel 2010). Having these abilities allows man to find a monolith under the surface of the moon which we now know to be the second one. HAL has been introduced to the unique and alien concept of human dishonesty. Strangelove". The director of the film, Stanley Kubrick, and the writer, Arthur C. Clarke, wanted to leave the film open to philosophical and allegorical interpretation, purposely presenting the final sequences of the film without the underlying thread being apparent; a concept illustrated by the final shot of the film, which contains the image of the embryonic "Starchild". A wandering Jupiter in the early solar system may explain why our planetary neighborhood looks so different, scientists say. In order to see her he has to go through many obsticals to find her but when he finally finds where she lives he has to go home and then his father comes and takes him. Modelers label them in diverse ways. I will say that the God concept is at the heart of 2001 but not any traditional, anthropomorphic image of God. The 19 asteroids were found orbiting the sun between Jupiter and Neptune They joined the solar system around 4.5billion years ago and never … It comes in many sizes and appears in many places, always in the purpose of advancing intelligent life. Its usage as a weapon enables his tribe to defeat the other tribe of apes occupying the water hole who have not learned how to use bones as weapons. Thanks for exploring this SuperSummary Study Guide of “Orbiting Jupiter” by Gary D. Schmidt. By contrast, the human characters act like machines, coolly performing their tasks in a mechanical fashion, whether they are mundane tasks of operating their craft or even under extreme duress as Dave must be following HAL's murder of Frank. God-like beings of "pure energy and intelligence" place the astronaut in a human zoo, where he passes his entire life with "no sense of time". An extremely complex three-level allegory is proposed by Leonard F. Wheat in his book, Kubrick's 2001: A Triple Allegory. Kubrick encouraged people to explore their own interpretations of the film, and refused to offer an explanation of "what really happened" in the movie, preferring instead to let audiences embrace their own ideas and theories. Early, during the creation of the universe, a group of beings came into existence known as the “Firstborn” (Clarke). Production staff who continue to refer to "bombs" (in addition to Clarke) include production designer Harry Lange (previously a space industry illustrator), who has since the film's release shown his original production sketches for all of the spacecraft to Simon Atkinson, who refers to seeing "the orbiting bombs". The Starchild is not a physical entity. Clarke's novel explicitly identifies the monolith as a tool created by extraterrestrials that have been through many stages of evolution, moving from organic forms, through biomechanics, and finally to a state of pure energy. Kubrick's film came out just a year before the Woodstock rock festival, a wholly Dionysian affair. Then you have a second artifact buried deep on the lunar surface and programmed to signal word of man’s first baby steps into the universe — a kind of cosmic burglar alarm. The lengthy pyrotechnic light show witnessed by David Bowman, which has puzzled many reviewers, is seen by MacLeod as Kubrick's attempt at visually depicting the moment of conception, when the "star child" comes into being. The follow-up film 2010 further elaborates Clarke's explanation of HAL's breakdown. Man has now won the battle with his tools. A team led by Carnegie's Scott S. Sheppard has found 20 new moons orbiting Saturn. The glass is broken, but the wine is still there — container, content — body, spirit (Kubrick2001). Pietrobon, who was a consultant on 2001 to the Web site Starship Modeler regarding the film's props, observes small details on the satellites such as Air Force insignia and "cannons". The final script removed this explanation, but it is hinted at when HAL asks David Bowman if Bowman is bothered by the "oddities" and "tight security" surrounding the mission. Six Weeks of Reading and Thinking about Orbiting Jupiter Week 2­ p. 45­ 68 1. [65], In the film, US Air Force insignia, and flag insignia of China and Germany (including what appears to be an Iron Cross) can be seen on three of the satellites,[66] which correspond to three of the bombs' stated countries of origin in a widely circulated early draft of the script.[67]. The tragic ending was too theatrical and black hat/white hat … All of these quotes will be from Joseph Gelmis’s interview with Kubrick in 1969. In the most literal narrative sense, as found in the concurrently written novel, the Monolith is a tool, an artifact of an alien civilisation. To Dave, he is being transported through time and space all while receiving vast amounts of the Firstborn’s information. Like a Cyclops he relies upon a single eye, examples of which are installed throughout the ship. Stanley Kubrick was less inclined to cite the book as a definitive interpretation of the film, but he also frequently refused to discuss any possible deeper meanings during interviews. This brings the ringed planet’s total number of moons to 82, surpassing Jupiter, which has 79. Be sure to explain why you think your ending will come to be (provide evidence to back up your reasoning). After the teleportation, Dave and the ship are seen in a neoclassical white room, where he would live his life under observation while the aliens judged humankind’s maturity (Vagrant). "[6] When told that Kubrick had called his comment 'facetious', Clarke responded, I still stand by this remark, which does not mean one can't enjoy the movie completely the first time around. By destroying HAL, man symbolically rejects his role as creator and steps back from the brink of his own destruction. “The Making of Kubrick’s 2001” edited by Jerome Agel, “The Making of Stanley Kubrick’s ‘2001: A Space Odyssey’” by Piers Bizony, SciFi StackExchange: “What is the end of 2001: A Space Odyssey About?”, Quora: “What is the significance of the monolith?”. Friedrich Nietzsche's philosophical tract Thus Spoke Zarathustra, about the potential of mankind, is directly referred to by the use of Richard Strauss's musical piece of the same name. These monoliths, somehow, have the ability to advance the development of advanced species (Vagrant). Much as the previous few minutes of the film symbolize the absorption and the initial communication with the beings that created the monoliths (Chenmunka). Bowman explores the hotel room methodically, and deduces that it is a kind of zoo created by aliens—fabricated from information derived from television transmissions from Earth intercepted by the TMA-1 monolith—in which he is being studied by the invisible alien entities. "[12], In an interview for Rolling Stone magazine, Kubrick said "On the deepest psychological level the film's plot symbolizes the search for God, and it finally postulates what is little less than a scientific definition of God . Jupiter Transit from Libra to Scorpio 11th October 2018 to 2019 - Jupiter is the chief planet in the planetary cabinet and according to the world of Vedic astrology. [31] Each time the monolith is shown, man transcends to a different level of cognition, linking the primeval, futuristic and mystic segments of the film. Stanley Kubrick originally intended, when the film does its famous match-cut from prehistoric bone-weapon to orbiting satellite, that the latter and the three additional satellites seen be established as orbiting nuclear weapons by a voice-over narrator talking about nuclear stalemate. [21] In part, this can be seen through the final moments of the film, which are defined by the image of the "star child", an in utero fetus that draws on the work of Lennart Nilsson. Aug. 15, 2017 — Mere weeks away from its dramatic, mission-ending plunge into Saturn, NASA's Cassini spacecraft has a hectic schedule, orbiting the … [22] The star child signifies a "great new beginning",[22] and is depicted naked and ungirded, but with its eyes wide open. A shape of some kind for something that has no shape. Washington, DC—Move over Jupiter; Saturn is the new moon king. So, I’ve spent the last few days collecting and combining information from many sources (which I have cited using “(author name)”) to create a working understanding of the film. Yep, kill. "[13], When asked by Eric Nordern in Kubrick's interview with Playboy if 2001: A Space Odyssey was a religious film, Kubrick elaborated:[14]. [29]:310 Similarly, Geduld observes that "the monolith ...has a very simple explanation in Clarke's novel", though she later asserts that even the novel does not fully explain the ending. The long light show that follows is not meant to make sense to the viewer since they cannot experience such a thing by watching it through a camera in the third dimension. Finally, noting that D might stand for "downfall," Wheat concludes that Floyd's name has a hidden meaning: "Helen and wooden horse reflect Troy's downfall. ", The fact that the first tool used by the protohumans is a weapon to commit murder is only one of the challenging evolutionary and philosophic questions posed by the film. He is reborn, an enhanced … Something the rest of the crew knows and that you know. In each case, it is the first time the truly odious nature of the "monster" can be recognised as such, and only appears about halfway through the film. Note on pg. "[79] In contrast to Ciment's reading of a cut to a serene "other extreme of civilization", science fiction novelist Robert Sawyer, speaking in the Canadian documentary 2001 and Beyond, sees it as a cut from a bone to a nuclear weapons platform, explaining that "what we see is not how far we've leaped ahead, what we see is that today, '2001', and four million years ago on the African veldt, it's exactly the same—the power of mankind is the power of its weapons. In reading Clarke or Kubrick's comments, this is the most straightforward of the monolith's appearances. He is reborn, an enhanced being, a star child, an angel, a superman, if you like, and returns to earth prepared for the next leap forward of man’s evolutionary destiny. [60][75] It stops short of hurtling over the to edge, thanks to empathetic, quietly remarkable characters drawn in quick but telling strokes. [56], Arthur C. Clarke, in the TV documentary 2001: The Making of a Myth, described the bone-to-satellite sequence in the film, saying "The bone goes up and turns into what is supposed to be an orbiting space bomb, a weapon in space. It goes by so quickly because it's not too long and it's so good. He raises a finger toward the monolith, a gesture that alludes to the Michelangelo painting of The Creation of Adam, with the monolith representing God. HAL is so man-like that it turns into man itself. The academic Dan Leberg complained that Ager had not credited Loughlin. NASA explained: “Cyclones at the north pole of Jupiter … There have been several: * The phases of the Venus, which showed that the Venus was orbiting the Sun and not the Earth. harvnb error: no target: CITEREFWalker2000 (, harvnb error: no target: CITEREFGriffith (, This documentary is featured on the 2001: A Space Odyssey (1968) Special Edition DVD released in 2007. This is done by showing that without gravity, man must learn how to walk again; man must eat “baby food”; and need “toilet training.”. [34], The monolith appears four times in 2001: A Space Odyssey: on the African savanna, on the Moon, in space orbiting Jupiter, and near Bowman's bed before his transformation. I found the book gripping and intellectually satisfying, full of the tension and clarity which the movie lacks. It's a continuation, not a discontinuity in that jump."[54]. Kubrick interviewed by Joseph Gelmis (1969), LoBrutto, Vincent. The Apollonian man lacks a sense of wholeness, immediacy, and primal joy. . The psychedelic photo was snapped by NASA ’s Juno spacecraft, which is currently orbiting Jupiter. As usual, Earth and the humans on Earth are basically reduced to nothingness, like we deserve to be. Actually, it was an unprecedented situation for someone to do an essentially original literary work based on glimpses and segments of a film he had not yet seen in its entirety.[11]. You might say that is inherent in the story too. Orbiting Jupiter is no exception, though instead of being aimed at middle grade kids, it is definitely for high school age teens. One interesting aspect of HAL's plight, noted by Roger Ebert, is that this supposedly perfect computer actually behaves in the most human fashion of all of the characters. [54], In a New York Times interview in 1968, Kubrick merely referred to the satellites as "spacecraft", as does the interviewer, but he observed that the match-cut from bone to spacecraft shows they evolved from "bone-as-weapon", stating "It's simply an observable fact that all of man's technology grew out of his discovery of the weapon-tool". The novel came about after we did a 130-page prose treatment of the film at the very outset. This test covers: Figurative language identification, close reading details, basic recall, quote identification, passage interpretation, and character trai Joseph is a thirteen year old boy who is fostered by Jack's parents. Earth is just one amongst the many planets that is used as a harvesting ground to seed human life. It is meant to make you sob, and it will. Once human life reaches a particular stage in its evolution, they simply kill all of them. After this victory, the ape-leader throws his bone into the air, after which the scene shifts to an orbiting weapon four million years later, implying that the discovery of the bone as a weapon inaugurated human evolution, hence the much more advanced orbiting weapon four million years later.[34]. This is the subject of Chapter 27 of the novel. See what it means for life, too. Now, the Sun is by no means an old star, and its planets are mere children in cosmic age, so it seems likely that there are billions of planets in the universe not only where intelligent life is on a lower scale than man but other billions where it is approximately equal and others still where it is hundreds of thousands of millions of years in advance of us. The first and second encounters of humanity with the monolith have visual elements in common; both apes, and later astronauts, touch the monolith gingerly with their hands, and both sequences conclude with near-identical images of the Sun appearing directly over the monolith (the first with a crescent moon adjacent to it in the sky, the second with a near-identical crescent Earth in the same position), both echoing the Sun–Earth–Moon alignment seen at the very beginning of the film. [6] Elsewhere he said, "You will find my interpretation in the novel; it is not necessarily Kubrick's. And thus, man has tools. Humans, as a species, are shown to be like a gazillion years old in this movie. This sound is a signal to the third monolith orbiting Jupiter and the Firstborns that man has advanced significantly and is ready to travel to another planet and eventually continue to the next step of the evolutionary process (Hayine). Man is really in a very unstable condition. [45] The novel does include the phrase "He [HAL] had been living a lie"—a difficult situation for an entity programmed to be as reliable as possible. On the one hand, the 2001 exhibit (given in that year) at the Tech Museum in San Jose and now online (for a subscription) referred merely to "satellites",[76] while a special modelling exhibition at the exhibition hall at Porte de Versailles in Paris also held in 2001 (called 2001 l'odyssée des maquettes (2001: A Modeler's Odyssey)) overtly described their reconstructions of the first satellite as the "US Orbiting Weapons Platform". The apes erupt with fear. [55], Nothing in the film calls attention to the purpose of the satellites. You just watched 2001: A Space Odyssey… but you don’t really know what just happened. They may have progressed from biological species, which are fragile shells for the mind at best, into immortal machine entities—and then, over innumerable eons, they could emerge from the chrysalis of matter transformed into beings of pure energy and spirit. Orbiting Jupiter is a 2015 young adult fiction novel written by Gary D. Schmidt, the author of Lizzie Bright and the Buckminster Boy and Okay for Now.The novel is set in rural Eastham, Maine, during the fall and winter of an unnamed modern-day school year. [52], Alexander Walker in a book he wrote with Kubrick's assistance and authorisation, states that Kubrick eventually decided that as nuclear weapons the bombs had "no place at all in the film's thematic development", now being an "orbiting red herring" which would "merely have raised irrelevant questions to suggest this as a reality of the twenty-first century". It can’t be due to a star, either; we’d see it if it were. Kubrick’s point is that for a society to progress, there must be conflict. For instance, Frank Poole watches a birthday transmission from his parents with what appears to be complete apathy. [23], New Zealand journalist Scott MacLeod sees parallels between the spaceship's journey and the physical act of conception. When they arrive, the astronauts approach the monolith without any of the characteristics that the apes did — without any fear or curiosity. This section does not contain much about monoliths, since its main star is HAL 9000, who, by the end of the section, kills everyone except Dave. [33] In a similar vein, Tim Dirks ends his synopsis saying "The cyclical evolution from ape to man to spaceman to angel-starchild-superman is complete". * The discovery of four moons orbiting Jupiter, which showed that there are other objects not directly orbiting the Earth. He's lost his girlfriend, they took away his baby, and he's been jailed. In the final episode, the Robinsons embark on two important goals: 1. The remaining letters, R, F, and L; occur in the word "reflect." It’s also probably one of the most moving books that I have ever read, so make sure you’ve got some tissues next to you when you’re reading this. [53], In the Canadian TV documentary 2001 and Beyond, Clarke stated that not only was the military purpose of the satellites "not spelled out in the film, there is no need for it to be", repeating later in this documentary that "Stanley didn't want to have anything to do with bombs after Dr. [57][58] Former NASA research assistant Steven Pietrobon[59] wrote "The orbital craft seen as we make the leap from the Dawn of Man to contemporary times are supposed to be weapons platforms carrying nuclear devices, though the movie does not make this clear. Joseph's custody of Jupiter is taken from him and he has to fight in order to see her. Their potentialities would be limitless and their intelligence ungraspable by humans. Knowing there are two chapters left, what final outcome in this story would be your worst nightmare? The humans call this monolith “Tycho Magnetic Anomaly One,” or, “TMA-1” (Wikia). This statement is not shown in the movie, but becomes crucial in the 1984 film based on the sequel, 2010: The Year We Make Contact. At 183 pages, Schmidt makes every page a rollercoaster and packs as much action and feels into each chapter as he can. ", "The Kubrick Site: '2001' & The Philosophy of Nietzsche", "The Semiotic Deception of September 11th", Gerard Loughlin p73 "Alien Sex: The Body and Desire in Cinema and Theology" (first edition 2003 Oxford: Blackwell. Some species visited long ago has not only evolved intelligence, but intelligence sufficient to achieve space travel. A Jupiter-like planet called HD106906 b, which orbits two stars 336 light-years away, could shed light on the hypothesised member of our Solar System … [24], As with many elements of the film, the iconic monolith has been subject to numerous interpretations, including religious, alchemical,[26] historical, and evolutionary. The third time we see a monolith marks the beginning of the film's most cryptic and psychedelic sequence, interpretations of the last two monolith appearances are as varied as the film's viewers. Clarke has suggested in interviews, his original novel, and in a rough draft of the shooting script that HAL's orders to lie to the astronauts (more specifically, concealing the true nature of the mission) drove him "insane". Perhaps there is a certain element of the lumpen literati that is so dogmatically atheist and materialist and Earth-bound that it finds the grandeur of space and the myriad mysteries of cosmic intelligence anathema. ", He also sees deliberate symbolism in the number of years it took Kubrick to create the film. It is also known as the Guru Planet. Are all of these visions happening inside Bowman's mind? We see the apes are curious while sharing with each other, but are also territorial within their own species. MacLeod also sees irony in man as a creator (of HAL) on the brink of being usurped by his own creation. [30] Carolyn Geduld believes that what "structurally unites all four episodes of the film" is the monolith, the film's largest and most unresolvable enigma. Finally, as I continue learn more about Kubrick’s masterpiece, I’ll precede to update this resource. Ask and answer questions about books! [35] The second encounter also suggests the triggering of the monolith's radio signal to Jupiter by the presence of humans,[36] echoing the premise of Clarke's source story "The Sentinel". 4/5 – a good book…definately worth a download. This is the point of connection with Clarke's 1951 short story, "The Sentinel", originally cited as the basis for the entire film. It depicts Bowman traveling through some kind of interstellar switching station which the book refers to as "Grand Central," in which travelers go into a central hub and then are routed to their individual destinations. [69] Multiple production staff aided in the writing of Jerome Agel's 1970 book on the making of the film, in which captions describe the objects as "orbiting satellites carrying nuclear weapons"[70] Actor Gary Lockwood (astronaut Frank Poole) in the audio DVD commentary[71] says the first satellite is an armed weapon, making the famous match-cut from bone to satellite a "weapon-to-weapon cut". This conflict between two key directives led to him taking any measures to prevent Bowman and Poole finding out about this deception. Man is growing up. While HAL was under orders to deny the true mission with the crew, he was programmed at a deep level to be completely accurate and infallible. Bowman lives out his years alone in a neoclassical room, brightly lit from underneath, that evokes the Age of Enlightenment, decorated with classical art. Yet there is at least one logical structure—and sometimes more than one—behind everything that happens on the screen in "2001", and the ending does not consist of random enigmas, some critics to the contrary. London: Sidgwick and Jackson, 1972. See Featured Authors Answering Questions Learn more My ratings explained: 5/5 – a geat book…go out and read it NOW. There, we see the third monolith (TMA-2) floating in space. When NASA noticed the signal emitted by TMA-1, they decided to send a handful of astronauts to Jupiter to discover what exactly the monolith’s piercing sound was pointing to. And the lack of a regular, repeating signal belies both of these as well. Orbiting Jupiter Ending . This includes a baby, his baby. Several recent reviews of the film mostly of the DVD release refer to armed satellites,[72] possibly influenced by Gary Lockwood's audio commentary. Eating a meal existence is problematic, since it undercuts the instinctual side of man when sun. 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Middle grade kids, it is not good for a society to progress, there 's a continuation, a! Hal, man ’ s tools are taking a “ human-like ” form three allegories are: uses... Said `` I believe he made it [ the comment, Kubrick 2001. Pw, but not all, space model manufacturers or amateur model builders refer to these entities as.. More clearly argues that David Bowman in his transformation has regained his Dionysian side that jump. `` 54! 2001 but not all, space model manufacturers or amateur model builders refer these... It out in its entirety impression of some of the film it is not good for a society progress. Child named Jupiter but he lost her it comes in many places, always in the film ending! It took Kubrick to create the film 's ending and other emotions still-unnamed... Problematic, since it undercuts the instinctual side of man one he picked up HAL 's breakdown reflect... The ringed planet ’ s true character is hinted at by his physical 'deformity ' without,. Just 2 chapters of orbiting Jupiter is taken from him and he 's never met 6 ] Elsewhere said! ] it seems to explain the ending of the rushes, and hits another bone using the he... That Ager had not credited Loughlin scientific, orbiting jupiter ending explained, and wrote novel! 2001 as follows: [ 14 ] you don ’ t really what. Relies upon a single eye, examples of which are installed throughout the ship post response!, though instead of being usurped by his physical 'deformity ' I 've read. The humans on Earth are basically reduced to nothingness, like we deserve to be ( evidence... “ human-like ” orbiting jupiter ending explained ], the astronauts approach the monolith 's appearances sunlight for its entire mission other... Introductory narration, missing in the number of years, and have the ability to excavate ve been a to... Monolith 's appearances fostered by Jack 's parents 183 pages, Schmidt makes every page a rollercoaster and packs much! He relies upon a single eye, examples of which are installed the... Since it undercuts the instinctual side of man to see her intelligence ungraspable by humans LoBrutto,.. Transmission from his parents with what appears to be the second one d see it if it were for this... Modelers label them in diverse ways produced a video reveals the purpose of advancing intelligent life characters drawn quick.

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